Riccardo Giovinetto is an italian multimedia artist, physicist and university professor.
Giovinetto’s works take on multiple forms such as audio video performances, installations and concert compositions. He creates sound reactive sculptures through digital structures generated and manipulated in real time, resulting in a renewed relationship between sound and image.
Giovinetto’s solo project FEMINA debuted at the opening night of POSTCITY, Ars Electronica Festival 2023, and has since been presented at L.E.V. Festival, MUTEK Montreal, Videocitta Rome, and Sonica Glasgow, among
others. In January 2026, FEMINA has be presented at the Philharmonie de Paris as part of the closing program of the NEMO Biennale.
His installations have been exhibited in international contexts, including the NEMO Biennale in Paris, the LINK Festival in Oviedo, and the Museo Santa Maria della Scala in Siena, with works frequently shaped by the conceptual underpinnings of FEMINA – a project that explores the idea of grace and the gaze that defined it during the Renaissance
FEMINA was awarded the Videocittà Award for Best AV Performance of 2024 and in 2025 he won the City Digital Skin Art Festival Awards with “Intarsi”.
BIOGRAPHY
In 2010 he founded OZMOTIC, a duo of electronic and instrumental music that collaborates with philharmonic orchestras and international artists such as Christian Fennesz, Murcof, Senking. In 2018 the third album of the duo was released by Touch (Elusive Balance) and in April 2023 a new one was released by the English label again; the project, called SENZATEMPO, was created in collaboration with Christian Fennesz.
With OZMOTIC he played at several Italian and European festivals such as MITO Settembre Musica (Milan), State X New Forms (The Hague), Nextech (Florence) and many others.
In the educational field he has twenty five years of experience; he teaches Acoustic Physics, Electroacoustic for Sound Engineers at the school Alto Perfezionamento Musicale in Saluzzo (IT), he is an Ableton Certified trainer and a Sound Design and Multimedia Installation professor at SAE Institute in Milan.
DISCOGRAPHY
2023
OZMOTIC | FENNESZ – “SENZATEMPO” • (Touch)
2020
VARIUS ARTIST – “TOUCH:ISOLATION” • (Touch)
2018
OZMOTIC – “ELUSIVE BALANCE” • (Touch)
2016
OZMOTIC – “LIQUID TIMES” – feat. C. Fennesz, F. Bretschneider, Senking • (Folk Wisdom)
2015
OZMOTIC | FENNESZ – “AIR EFFECT” • (Folk Wisdom)
Riccardo Giovinetto is an italian multimedia artist, physicist and university professor.
Giovinetto’s works take on multiple forms such as audio video performances, installations and concert compositions. He creates sound reactive sculptures through digital structures generated and manipulated in real time, resulting in a renewed relationship between sound and image.
Giovinetto’s solo project FEMINA debuted at the opening night of POSTCITY, Ars Electronica Festival 2023, and has since been presented at L.E.V. Festival, MUTEK Montreal, Videocitta Rome, and Sonica Glasgow, among
others. In January 2026, FEMINA has be presented at the Philharmonie de Paris as part of the closing program of the NEMO Biennale.
His installations have been exhibited in international contexts, including the NEMO Biennale in Paris, the LINK Festival in Oviedo, and the Museo Santa Maria della Scala in Siena, with works frequently shaped by the conceptual underpinnings of FEMINA – a project that explores the idea of grace and the gaze that defined it during the Renaissance
FEMINA was awarded the Videocittà Award for Best AV Performance of 2024 and in 2025 he won the City Digital Skin Art Festival Awards with “Intarsi”.
In 2010 he founded OZMOTIC, a duo of electronic and instrumental music that collaborates with philharmonic orchestras and international artists such as Christian Fennesz, Murcof, Senking. In 2018 the third album of the duo was released by Touch (Elusive Balance) and in April 2023 a new one was released by the English label again; the project, called SENZATEMPO, was created in collaboration with Christian Fennesz.
With OZMOTIC he played at several Italian and European festivals such as MITO Settembre Musica (Milan), State X New Forms (The Hague), Nextech (Florence) and many others.
In the educational field he has twenty five years of experience; he teaches Acoustic Physics, Electroacoustic for Sound Engineers at the school Alto Perfezionamento Musicale in Saluzzo (IT), he is an Ableton Certified trainer and a Sound Design and Multimedia Installation professor at SAE Institute in Milan.
Discography